David Ehlen's Art Information
Oil Paintings Drawings Sculptures Digital Arts
Processes & Materials - Texturing Canvas
Texturing Your Canvas
 

I use my gesso based media to create a new surface of the canvas. I'm sorry but I cannot let you know what I mix in with the gesso because improperly used it can cause health problems and I'm not going to be held responsible for that.

I build up enough of the media to cover the weave of the canvas fabric in every painting that I create and often sand it down to create a smooth canvas. The media gives me a surface that I enjoy painting on and expands my options with different textures. The media works like a cement when it is dry and because it is water based it dry's reasonably fast depending on how much of a build up there is and how hot & dry the weather is outside.

 
The Process of a Textured Canvas
The Fire Down Below - Stage 1 The Fire Down Below

 

Stage 1
The Fire Down Below
Stage 2
The Fire Down Below
stage 3
The Fire Down Below
Stage 4
The Fire Down Below
Final

Mouse over the thumbnails to view a photo and description of the process of this painting titled The Fire Down Below. The texture of this canvas is very rough and porous. It took many layers of paint to fill in all the crevasse. The mixed media absorbed the oil paint, especially in the first green layer. I did not use any thinning media like Linseed Oil or thin out the paint with Turpinoid. I didn't use these for a few reasons. One, I was concerned that either of the thinners would effect the mixed media by breaking it down or making it weaker. The layer needed to be strait oil paint because I was looking ahead to the other layers coming where I did plan to use linseed oil.

Once I had an oil base build up of paint and it dried completely it became easier to work with. Again, I used strait oil paint with out mixing any thinners. The second layer of paint spread over easier but I could still feel the resistance of the texture onto the brush as I painted it. I let this second layer of paint dry for about a week. For the following layers all the way to the fished piece, I mixed linseed oil into the paint in order to assist in the flowing of the image as suggested by the media.

 
The Process of a Relief Painting
Desire - Stage 1 Desire
Stage 1
Desire
Stage 2
Desire
stage 3
Desire
Final
Stage 1
After I built the canvas I covered it with the multi media mix including the sides of the canvas. I began to build it up in the center. I would pause, set it out into the sun for a few hours to let it set, and then build it up more. I lived in California at the time and it was very hot and I had direct sunlight on it. When I brought it back in I would rub my hands over the surface of the build up to knock off the loose material and to make sure everything was set enough to continue adding more.
 
Stage 2
I could see the profile of the face really start to come in at this point. I started to take an razor blade to the build up and start to define the contour lines and shape.
 
Stage 3
At this point I've defined the entire sculpted relief into the shape that I wanted it to look like. Now I have the job of sanding the relief shapes, entire surface and sides of the canvas. This took a couple of days.
 
Final
This is the finished piece. I've put a number of layers of oil paint everywhere and worked 90% of it into the work with my hands and fingers.
 
 
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David Ehlen © 2012